Fear

Stok Kodu:
9786258141771
Boyut:
13.5x21
Sayfa Sayısı:
72
Baskı:
1
Basım Tarihi:
2023-04
Kapak Türü:
Ciltsiz
Kağıt Türü:
2. Hamur
%20 indirimli
70,00TL
56,00TL
Taksitli fiyat: 12 x 5,96TL
Havale/EFT ile: 54,88TL
Temin süresi 6 gündür.
9786258141771
659571
Fear
Fear
56.00

Fear is a 1925 novella by the Austrian writer Stefan Zweig. It was adapted into a 1928 silent film, Angst, directed by Hans Steinhoff, a 1936 film, La Peur, directed by Victor Tourjansky, and a 1954 film, Fear, directed by Roberto Rossellini.

The protagonist, Irene Wagner, is a married, young bourgeois who has a secret affair with a pianist. Due to blackmails from the pianist’s girlfriend who is aware of the affair, Irene is seized with fear of losing her dolce vita.

Nicholas Lezard of The Guardian reviewed the book in 2010: “This is the stuff of melodrama: the typical Zweigian scenario in which, beneath the trappings of respectability, storms of carnal passion, guilt, shame and rage. It is no accident, you feel, that Zweig was writing at the same time and in the same city as Sigmund Freud.”

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9 7,56    68,05   
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3 20,40    61,20   
6 10,77    64,62   
9 7,56    68,05   
12 5,96    71,46   
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Tek Çekim 56,00    56,00   
3 20,40    61,20   
6 10,77    64,62   
9 7,56    68,05   
12 5,96    71,46   
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Tek Çekim 56,00    56,00   
3 20,40    61,20   
6 10,77    64,62   
9 7,56    68,05   
12 5,96    71,46   
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Tek Çekim 56,00    56,00   
3 20,40    61,20   
6 10,77    64,62   
9 7,56    68,05   
12 5,96    71,46   
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Fear is a 1925 novella by the Austrian writer Stefan Zweig. It was adapted into a 1928 silent film, Angst, directed by Hans Steinhoff, a 1936 film, La Peur, directed by Victor Tourjansky, and a 1954 film, Fear, directed by Roberto Rossellini.

The protagonist, Irene Wagner, is a married, young bourgeois who has a secret affair with a pianist. Due to blackmails from the pianist’s girlfriend who is aware of the affair, Irene is seized with fear of losing her dolce vita.

Nicholas Lezard of The Guardian reviewed the book in 2010: “This is the stuff of melodrama: the typical Zweigian scenario in which, beneath the trappings of respectability, storms of carnal passion, guilt, shame and rage. It is no accident, you feel, that Zweig was writing at the same time and in the same city as Sigmund Freud.”

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