The Myth of the Female Hand: Forms of Female Power

Stok Kodu:
9786256894211
Boyut:
13.5x21
Sayfa Sayısı:
98
Baskı:
1
Basım Tarihi:
2023-08
Kapak Türü:
Ciltsiz
Kağıt Türü:
2. Hamur
Kategori:
%15 indirimli
140,00TL
119,00TL
Taksitli fiyat: 12 x 12,65TL
Havale/EFT ile: 116,62TL
Temin süresi 6 gündür.
9786256894211
712555
The Myth of the Female Hand: Forms of Female Power
The Myth of the Female Hand: Forms of Female Power
119.00

In The Myth of the Female Hand: Forms of Female Power, Şeyda Sivrioğlu explores the symbolic representations and the significance of the female hand as a means to open up literary and critical space for the oppressed and marginalized female figure in different centuries and in different patriarchal cultures and genres. Inalterably, in a culture where creativity is defined purely in male terms, women “exist only to be acted on men, both as literary and sensual objects” (Gilbert and Gubar, 8). This comprehensive study, however, traces the origins of the female hand symbolism from a fairy tale to a play-text and finally to a science fiction novel in order to illustrate how, to borrow Margaret Atwood’s words, the hand as an extension of the brain, in this case the female brain, becomes an important tool for indicating the development of the power of women.

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Tek Çekim 119,00    119,00   
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9 16,07    144,60   
12 12,65    151,86   
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Tek Çekim 119,00    119,00   
3 43,35    130,04   
6 22,89    137,31   
9 16,07    144,60   
12 12,65    151,86   
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Tek Çekim 119,00    119,00   
3 43,35    130,04   
6 22,89    137,31   
9 16,07    144,60   
12 12,65    151,86   
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In The Myth of the Female Hand: Forms of Female Power, Şeyda Sivrioğlu explores the symbolic representations and the significance of the female hand as a means to open up literary and critical space for the oppressed and marginalized female figure in different centuries and in different patriarchal cultures and genres. Inalterably, in a culture where creativity is defined purely in male terms, women “exist only to be acted on men, both as literary and sensual objects” (Gilbert and Gubar, 8). This comprehensive study, however, traces the origins of the female hand symbolism from a fairy tale to a play-text and finally to a science fiction novel in order to illustrate how, to borrow Margaret Atwood’s words, the hand as an extension of the brain, in this case the female brain, becomes an important tool for indicating the development of the power of women.

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